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  • Release Date 2016-06-08
  • Label NB Records
  • Catalog NBREC065
After the great support by Richie Hawtin oif his remix for Wendepunkt, Vincent Hole brings two original tracks to NB Records, with remixes by Agostino Casillo and Alixander III (Azari & III).Vincent Hole is music from the hole!The gritty, hard, industrial sounds of Detroit Techno shaped his musical identity early in his life and pushed him to start playing turntables at the young age of 14.He was fascinated by the output of artists like Kevin Saunderson, May, Mills , Octave One, and Atkins, who all had a huge impact on the sound that characterizes him today.His sound can be described as a combination of the synthetic, dark, gloomy sounds of techno with hues of ambient melodies.All the tracks are produced by a mix of analogical and digital instruments, from synths to drums. For him analog synthesizers are fascinating machines, the energy they create is so intangible yet so powerful. It is an invisible wave that is physically harmless yet it can send shocks down your spine.Agostino Casillo, born in 1985, begins to approach music in the late '90s, influenced by the house sounds that characterize those years. Never shut up in one genre, his desire to experiment led him to deepen the knowledge of all the trends related to electronic music, from 'house to techno, from deep to nu disco. Out of every scheme, his productions are very eclectic. He is currently resident in one of the most innovative party of Neapolitan underground scene, Nice To Be.ALIXANDER III, full birth name Alphonse Alixander Lanza III, shot to international notoriety with the debut of his 2009 love-child, punk-house re-incarnates Azari & III. But AZIII was the product of a long running DJ and production career that began in the industrial grotto of the Toronto suburb Hamilton, Ontario, Canada, a bat caver's wet dream of an occult black hole, soundtracked by the likes of Jesus & Mary Chain, Skinny Puppy and The Swans. The dark, brooding dance industrial scene there clearly influenced his penchant for the eerie, early techno that Plastikman, Speedy J and Stacey Pullen would bring to the infamous Eclipse raves, events that cemented Alixander's passion for transcendental machine funk.Recent and pending work with Get Physical, Toy Tonics, Gomma, Exploited, Get The Curse and I'm A Cliche connect the dots to what has become a true and lasting fixationdedication to the artistic and expressionist side of socially oriented entertainment.


Duck from the Future